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MASKING SAVES LIVES

Monday, March 03, 2008

So How, at Just 23, Did Rachel Corrie Become a Palestinian Martyr?

Portion below; whole thing here: http://www.guardian.co.uk/world/2008/mar/02/israelandthepalestinians

The Corries take me around Olympia in their car, past the places where Rachel grew up. While Craig drives he recalls descriptive passages from her journals and tries to retrace his daughter's steps in his mind's eye. Even on a winter's day you can see how beautiful it is: noble Douglas firs, a glint of water, secluded wooden houses with verandas.

Two years ago some of the Nasrallah family visited Olympia. They were the owners of the concrete house, pockmarked with tank shell holes, that Rachel had died defending. The two families were invited on a speaking tour to talk about the situation in the Middle East. When Khaled Nasrallah saw where Rachel had grown up he turned to her parents and said, wide-eyed: 'She gave up this paradise, for us?'

In turn, the Corries have twice visited Gaza since Rachel was killed. 'My feeling,' says Craig, 'was that she wrote about those people with warmth. Going to Gaza was a real need to see who Rachel wrote about and to thank them for the care they took of her while she was there.' They negotiated the same checkpoints, the same rubble-strewn streets as their daughter had done. Armed men in watchtowers looked down on them. At night they slept through the sound of tracer fire. I imagine how proud, and perhaps astonished, their daughter would have been (on occasion she'd railed against her father for having 'his head in the sand' politically). The Corries' instinct is to play down the danger they were in: gunfire whistled past Craig and, one evening, dinner with the Nasrallah family was interrupted by the menacing sound of a bulldozer outside the window. On their second visit in 2006 they were woken in the middle of the night by men with Kalashnikovs. Craig and Cindy Corrie would be valuable bargaining tools in an area that has become even more desperate since Rachel was killed. As it was, the Nasrallahs managed to persuade the men to go on their way. It was said that they killed two security guards on the Egyptian border instead.

In one of her final emails home Rachel said, 'This has to stop! I think it is a good idea for us all to drop everything and devote our lives to making this stop.' It's clear that her parents have taken her at her word. Sarah says, 'She wanted them to go there. In her writing she says you need to meet these people. Now our lives are intertwined with what goes on in Rafah and Gaza and Israel and Palestine.' Meanwhile, in the five years since Rachel was killed, the humanitarian situation in Gaza - effectively imprisoned by Israel, with limited fuel, electricity and medical supplies - has grown worse, not better.

The family is still seeking information about what happened to Rachel and to have her death accounted for. According to former US secretary of state Colin Powell's chief of staff, the Israeli government's report was not 'thorough, credible or transparent', yet there is no sign that the US government plans to take any further action. Four months ago Sarah discovered distressing reports that Rachel's autopsy was not carried out according to their stipulations. The Corries, along with four Palestinian families, are waiting for court action against Caterpillar Inc, the American company that makes the bulldozer that killed Rachel, to be reheard.

1 comment:

Anonymous said...

I had the opportunity to see "My Name is Rachel Corrie" in Seattle last May. It is a one-woman theatre piece and is entirely based on Rachel's writings. I am amazed that such a young woman could write with such feeling and maturity. (Although there were moments of pure silliness also.) She writes about cowering under the table at the Nasrallah's home, while a gunfight continued outside, while at the same time the young children in the house were calmly watching TV.

The play was originally set to run six weeks, and then was extended for a month. It was mostly sold out. I saw it twice, and both times it received a standing ovation.